[237] The Leech Queen Passes the Torch (again)

Initial Rant
Este post fue una prueba de la aplicacion blogger del Android.  Esperare versiones futuras porque esta version apesta.  No puedo accesar los comentarios previos, los articulos no los da en orden y mas importante, es un pain in the ass cuando te borra la mitad del articulo despues de publicado y que no te deje manipular la foto.  Lo voy a dejar por si me da con postear alguna foto o rareza como borrador.

Post Original: 

Madonna wins the Super Bowl | MetaFilter
Eww on the interface!!!
Half of the article vanished!!!
Blogger 4android sucks!!!
Regarding madonna. Great performance full of nwo and illuminati propaganda.  Will update article from desktop.

Deje el thread de Metafilter abierto pues tiene muchas cosas interesantes.  El video del halftime show lo voy a poner aqui pero me huele a que va a durar muy poco...



Por si acaso, The Daily Mail publico imagenes de alta resolucion del evento aqui:
http://www.dailymail.co.uk/tvshowbiz/article-2097020/Madonna-Super-Bowl-halftime-2012-Singer-suffers-small-slip-up.html

Como adelante, esta lleno de alegorias de NWO y de Illuminati.  Una vez mas a Madonna le toca pasar el baton masonico a la nueva generacion, esta vez Nikaj, MIA, LMFAO y otras etoiles de jour buscando sus quince minutos de fama.  Estoy seguro que habran ocultistas ya escribiendo tomos sobre el evento.  Esperare a que salgan para actualizar el articulo.  Adelanto como entremes varios analisis previos de la programacion iluminati en la musica que he adelantado en otros articulos:
http://alcantarillaalquimica.blogspot.com/2012/01/231-judas-iscariote-lady-gaga-y-la-era.html
http://alcantarillaalquimica.blogspot.com/2012/01/236-echar-pa-lante-propaganda-en-accion.html
http://alcantarillaalquimica.blogspot.com/2011/09/199-un-poco-de-transhumanismo.html

Lo de Leech Queen es porque absorbe el talento de los mas jovenes.  El paso de baton a MIA lo hizo previamente con Lady Gaga y antes con el beso de la muerte con Britney y Xtina en unos MTV awards de a/nos previos.

http://vigilantcitizen.com/tag/madonna/
http://vigilantcitizen.com/musicbusiness/the-occult-symbolism-of-movie-metropolis-and-its-importance-in-pop-culture/
Back to the movie. The android completed, Rotwang tells it:

“I want you to visit those in the depths, in order to destroy the work of the woman in whose image you were created!”

Robot-maria responds:

One eye closed with devilish grin. You probably know the importance of the single eye from previous articles and the ridiculous amount of pop artists who flash it.

The Maria android is then sent to Yoshiwara, a man’s club, where she performs erotic dances. In one of her acts, she is portrayed as Babylon, the Great Harlot from the Apocalypse.

Playing the role of the Great Harlot Babylon of the Book of Revelation. “And the woman was arrayed in purple and scarlet colour, having a golden cup in her hand”. She is held up by the seven deadly sins.

Do this scene remind you of a classic music video?

Madonna – Material Girl. How many realized that she was playing the role of Babylon here?

The programmed Maria performs mesmerizing dances in front of an avid public, causing men to fight, to lust, to be jealous and to commit the rest of the deadly sins. When she’s with her fellow workers,  Maria acts as an “agent-provocateur”, inciting the working men to riot and giving Joh Fredersen reason to use force against them. She is basically acting against the best interest of the public and for the interest of the elite.
With the help of their foreman (because they can’t really think for themselves), the workers ultimately realize that they have been mislead by the android. Believing that she’s a witch, they find robot-Maria and burn her at the stake.
A bunch of things happen after that, but I won’t spoil the ending for you (though can you really be mad at someone for spoiling the ending of a 83-year old movie?). The movie finishes with this caption:

This “moral of the story” is basically a message to the elite, a tip to keep the masses in check: in order to keep the oppressed content, you must capture their heart. That is what the media accomplish.

Which is kind of reminiscent of this music video ending:

Madonna’s Express Yourself video heavily borrowed its imagery from Metropolis. In turn, Christina Aguilera’s Not Myself Tonight, heavily borrowed from Express Yourself.

The Moral of the Story

The moral of the story of Metropolis is not “let’s abolish all inequities and rebuild a world where everyone is equal” and it is certainly not “let’s be democratic and vote for who we want as a ruler.” It is more “let’s send the workers back to the depths where they belong, but with the addition of a mediator, who will be the link between the workers and the thinkers”. So, when all is said and done, the movie is intrinsically “elitist,” as it still calls for the existence of an elite group of people holding most of the resources and managing a working class. In the end, the workers – and Freder – were duped, believing that their conditions would change. In fact, the status-quo remained and Joh even got his naive son to give the elite a friendly image while reporting everything happening in the depths, resulting in tighter surveillance and control.
Who is the Freder of today’s working class? The media. Media is the mediator. That is its function.

Fredersen, the link between “the hand and the head”, the Workers and the Thinkers. This role is played today by the media.

Mass media manipulate the masses’ thoughts and feelings on a daily basis, tricking them into loving their oppression. Popular culture is the entertainment branch of mass media and pop music is the fun way to communicate the elite’s message to the youth. References to Metropolis in pop music are almost winks to those in the know, the initiates, as if to say “this star is working for us”. So go ahead and be an ignorant, degenerate and materialistic person, like in the videos … that’s what they want you to be.

http://vigilantcitizen.com/musicbusiness/christina-aguileras-not-myself-tonight-more-illuminati-music/

2003 VMA Perfomance

Taking place on a Masonic checkerboard-patterned floor, this symbolic performance is the ritualistic initiation of Britney Spears and Christina Aguilera into the occult music business. The ceremony starts with Britney and Christina making their way down a pyramid-shaped cake singing Madonna’s Like a Virgin. The song choice is very significant as it describes the young singers’ purity and innocence before the ceremony. This is also reinforced by their white gowns. Then the Priestess comes out, wearing a black tuxedo and a Masonic top hat.

She sings Hollywood, a song about the city symbolizing the entertainment establishment, the gateway to super-stardom. Madonna is a representative of the occult industry and welcomes Britney and Christina into it. She sings:
Everybody comes to Hollywood
They wanna make it in the neighborhood
They like the smell of it in Hollywood
How could it hurt you when it looks so good?
Shine your light now
This time it’s got to be good
You get it right now
Cause you’re in Hollywood
The entire performance puts into light Madonna’s domination and superiority over the singers. She ultimately passes on the torch to the two singers with a symbolic kiss.

They should maybe bear in mind this verse from the song Hollywood:
I lost my memory in Hollywood
I’ve had a million visions bad and good
There’s something in the air in Hollywood
I tried to leave it but I never could
Following in the footsteps of Madonna, Christina and Britney then appeared to dabble with Kabbalah, though only a “Hollywood” brand of Kabbalah, as tattoos are not permitted in its sacred scriptures.

Left is Britney’s tattoo of the Hebrew letters Mem-Hey-Shin, one of the 72 names of God. This one represents “healing”. Right is Christina’s tattoo of the Hebrew characters Yud and Bet, apparently dedicated to her husband Jordan Bratman.

In the years that followed, Christina took the apparently obligatory “sexualization” path of Illuminati idols and also appeared in works associated with black magic and mind control.

UPDATE: Some threads are running already:  Entertaining as hell.
http://lunaticoutpost.com/Topic-Madonna-s-superbowl-performance-or-ritual?page=12

Este en particular esta de madre...
http://lunaticoutpost.com/Topic-Madonna-s-superbowl-performance-or-ritual?page=16

http://www.sodahead.com/fun/madonnas-super-bowl-performance-was-illuminati-all-the-way/question-2440275/?page=2&postId=77142089#post_77142089

http://www.godlikeproductions.com/forum1/message1775348/pg1

http://www.godlikeproductions.com/forum1/message1775332/pg1

By the way, hay una especie de culto en la cientologia y la kabbalah de estas super estrellas de Hollywood.  De Madonna, como ya se le acabo el gas a la cabala ahora rumora (prueba aguas) con el opus dei...
http://www.adherents.com/people/pm/Madonna.html
http://www.mirror.co.uk/celebs/news/2011/04/11/madonna-ditches-kabbalah-for-opus-dei-115875-23052669/
http://www.freerepublic.com/focus/f-religion/2707644/posts
http://ivarfjeld.wordpress.com/2011/04/23/madonna-from-the-pan-to-the-fire/

Una introduccion a la pseudocabala que practican en Hollywood aqui:
http://hollywoodilluminati.com/2011/10/29/satanic-demonic-roots-of-hollywood-kabbalah-modern-religion-un-sons-of-man/
http://en.wikipedia.org/wiki/Kabbalah_Centre
http://www.rickross.com/reference/kabbalah/kabbalah72.html

Y mas para abonarle a su fama de leecher:
http://www.aishamusic.com/lawsuit_many_artists_madonna_stole_from.htm

UPDATE: Feb 10, 2012 Vigilant Citizen did indeed comment on the event but not as in much detail as I expected.  I guess it was because it was so obvious:
http://vigilantcitizen.com/musicbusiness/madonnas-superbowl-halftime-show-a-celebration-of-the-grand-priestess-of-the-music-industry/
http://vigilantcitizen.com/latestnews/forget-m-i-as-bird-flip-worry-about-pops-sexual-moral-decline/
Unrelated Photo
Esta imagen solo presentaba un balance hidraulico de un sistema de tratamiento al que le hacia los computos a mano la semana pasada.

[234] Is There a Heaven for Calculators?

Otro post sin sentido.  Finalmente me uno a la revolucion digital, como the realist...

http://realistcomics.blogspot.com/2011/09/week-67-messaging-blues.html

Compre un smartphone (Android of course) para ponerme al dia de todo lo pending.  Fue una buena decision?  El tiempo dira.  He estado jugando bastante con un juego llmado OSMOS.  Algo del juego aqui.  No se, apela al microbiologo frustrado en mi:
http://www.indiegamemag.com/osmos-now-absorbed-on-to-android-sale-price-for-first-week/
http://www.indiegamemag.com/osmos-review/

Tambien otro demo llamado Kingdom Rush, pero en la PC.
http://armorgames.com/play/12141/kingdom-rush
http://www.gamezebo.com/games/kingdom-rush/review
http://toucharcade.com/2011/12/30/kingdom-rush-ipad-review/

Soy fanatico de los juegos de tower defense o de estrategia.  Ironico que ese smartphone tenga mas memoria y velocidad que mi vieja Dell Latitude que compre en el 2003.  Entiendo que todo es el progreso.  Para que entiendan.  Continuando con lo del Sliding Rule de mi articulo anterior mi primera computadora fue una Timex Sinclair que compre usada en Times Square, NY en el 82-83?  Conectaba al televisor y tenia la gran friolera de 2K de memoria.  O sea, escribir en la maquina:

10 REM LOOP
20 PRINT "YO MAMA!"
30 GO TO 10

Ya te comprometia mas de la mitad de la maquina.

Hell!  Abrir un file de word hoy dia te gasta un minimo de 56K por lo menos.  Pero era la novedad de la era.

http://oldcomputers.net/ts1000.html
http://en.wikipedia.org/wiki/Atari_8-bit_family

Luego, en la era de los Commodore, tenia un Atari 400 con la gran friolera de 16K.  Aprendi a programar basic con un viejo libro que consegui en una tienda de discos que liquidaba mercancia en Bayamon Oeste.  Me lo dieron de gratis porque parece que era del hijo del due/no que se habia ido a estudiar fuera de Puerto Rico.  Caminaba media hora los fines de semana a buscar ejemplares de Compute! en la biblioteca de la UCB en Bayamon.  http://en.wikipedia.org/wiki/Compute!

Todo fuese para jugar con un clon de centipede o de space invader programado en Atari Basic.
http://en.wikipedia.org/wiki/Compute!
http://www.atarimagazines.com/compute/

Por ejemplo, codigo para programar algoritmos de Space Invaders:
http://www.atarimagazines.com/compute/issue11/47_1_INVADERS_FROM_OUTER_SPACE.php

Las calculadoras de mano son otra historia.  Aqui este site da una historia fotografica de los primeros modelos.  La primera calculadora de papi fue de las primeras TI cientificas que salieron, con el display digital rojo:
http://www.vintagecalculators.com/html/hand-held_calculators.html

Personalmente mi calculadora es una vieja Casio fx-4000p, donde programaba, resolvia ecuaciones lineales y escribia codigo sencillo.  Como hace formulas con parentesis es buena para ecuaciones complicadas y es facil de corregir.  Obviamente, como el mundo de ingenieria es dominado por las hewlett packard, el unico que sabe operarla bien soy yo.  Es una calculadora temperamental, a veces da la ultima cifra decimal mal si no estas pendiente, pero la he tenido desde 1988.  Mi primera calculadora Casio fx 4000p murio en el 1992.  Compre una identica como regalo de bodas y todavia la conservo, con el estuche modificado y tras varios cambios de pila.  Algo de la calculadora aqui:
http://www.voidware.com/calcs/fx4000p.htm

Nunca vi uno operando pero debe ser bien curioso...una calculadora mecanica Curta I:
http://www.vintagecalculators.com/html/curta_i.html
http://www.vintagecalculators.com/html/the_amazing_curta.html

Anyway, la gran realidad es que todos estos computos ya se hacen en hojas electronicas como excel o quattropro.  O como matlab.  Cierro con un viral que me enviaron por email hoy sobre el tema de ondas usando pendulos:

Primero algo bien basico de ondas.  Las ondas en un pendulo son que si sueltas un pendulo a un angulo x tendra un tiempo fijo de traslacion dado por el largo de la soga y la gravedad que se ejerce contra el objeto.  Es independiente de la masa o el angulo que desplaza.  Por eso se usan tanto para los mecanismos de relojes..  Un intenso debate surgio en mi oficina relacionado a las fuerzas adicionales que ejerce el efecto gravitacional en el pendulo, pero eso es otra historia.

La clase de fisica y ecuaciones diferenciales aqui.  Si estas igual que yo, que ya borre cinta, mira las figuras...

http://www.kettering.edu/physics/drussell/Demos/Pendulum/Pendula.html

La explicacion de Harvard aqui:

http://sciencedemonstrations.fas.harvard.edu/icb/icb.do?keyword=k16940&pageid=icb.page80863&pageContentId=icb.pagecontent341734&state=maximize&view=view.do&viewParam_name=indepth.html#a_icb_pagecontent341734

Comments: Our apparatus was built from a design published by Richard Berg ¹ at the University of Maryland. He claims their version is copied from one at Moscow State University.  Dr. Jiri Drabek at Palacky University in the Czech Republic has informed us that it was originally designed and constructed by Ernst Mach, professor of mathematics in Praha and Vienna around the year 1867.  The demonstration is used in the Czech Republic under the name "Machuv vinostroj" -- the "Wavemachine of Mach."  The apparatus we have was designed and built by Nils Sorensen.

James Flaten and Kevin Parendo² have mathematically modeled the collective motions of the pendula with a continuous function. The function does not cycle in time and they show that the various patterns arise from aliasing of this function—the patterns are a manifestation of spatial aliasing (as opposed to temporal). Indeed, if you've ever used a digital scope to observe a sinusoidal signal, you have probably seen some of these patterns on the screen when the time scale was not set appropriately.

How it works: The period of one complete cycle of the dance is 60 seconds. The length of the longest pendulum has been adjusted so that it executes 51 oscillations in this 60 second period. The length of each successive shorter pendulum is carefully adjusted so that it executes one additional oscillation in this period. Thus, the 15th pendulum (shortest) undergoes 65 oscillations. When all 15 pendulums are started together, they quickly fall out of sync—their relative phases continuously change because of their different periods of oscillation. However, after 60 seconds they will all have executed an integral number of oscillations and be back in sync again at that instant, ready to repeat the dance.

Setting it up: The pendulum waves are best viewed from above or down the length of the apparatus. Video projection is a must for a large lecture hall audience. You can play the video below to see the apparatus in action. One instance of interest to note is at 30 seconds (halfway through the cycle), when half of the pendulums are at one amplitude maximum and the other half are at the opposite amplitude maximum.

Fascinante!!!

Mejor aun:  modelajes matematicos hechos a partir del clip:

http://playingwithmathematica.com/2011/05/20/friday-fun-2/

http://hippomath.blogspot.com/2011/06/making-your-own-pendulum-wave-machine.html

http://www.physics.umd.edu/lecdem/services/demos/demosg1/g1-82.htm

http://demonstrations.wolfram.com/PendulumWaves/

Y nunca conteste...realmente hay un cielo para todas estas cosas?  Es interesante como las cosas han evolucionado en un tema mas corto.  Cierro con un plug relacionado al transhumanismo y las tecnologias obsoletas:
http://alcantarillaalquimica.blogspot.com/2011/09/199-un-poco-de-transhumanismo.html
http://alcantarillaalquimica.blogspot.com/2011/02/la-permanencia-de-la-informacion.html

Related: Last Man Without a Smartphone
http://realistcomics.blogspot.com/search?updated-max=2011-09-14T13:35:00-07:00&max-results=1