Monday, February 6, 2012

[237] The Leech Queen Passes the Torch (again)

Initial Rant
Este post fue una prueba de la aplicacion blogger del Android.  Esperare versiones futuras porque esta version apesta.  No puedo accesar los comentarios previos, los articulos no los da en orden y mas importante, es un pain in the ass cuando te borra la mitad del articulo despues de publicado y que no te deje manipular la foto.  Lo voy a dejar por si me da con postear alguna foto o rareza como borrador.

Post Original: 

Madonna wins the Super Bowl | MetaFilter
Eww on the interface!!!
Half of the article vanished!!!
Blogger 4android sucks!!!
Regarding madonna. Great performance full of nwo and illuminati propaganda.  Will update article from desktop.

Deje el thread de Metafilter abierto pues tiene muchas cosas interesantes.  El video del halftime show lo voy a poner aqui pero me huele a que va a durar muy poco...

Por si acaso, The Daily Mail publico imagenes de alta resolucion del evento aqui:

Como adelante, esta lleno de alegorias de NWO y de Illuminati.  Una vez mas a Madonna le toca pasar el baton masonico a la nueva generacion, esta vez Nikaj, MIA, LMFAO y otras etoiles de jour buscando sus quince minutos de fama.  Estoy seguro que habran ocultistas ya escribiendo tomos sobre el evento.  Esperare a que salgan para actualizar el articulo.  Adelanto como entremes varios analisis previos de la programacion iluminati en la musica que he adelantado en otros articulos:

Lo de Leech Queen es porque absorbe el talento de los mas jovenes.  El paso de baton a MIA lo hizo previamente con Lady Gaga y antes con el beso de la muerte con Britney y Xtina en unos MTV awards de a/nos previos.
Back to the movie. The android completed, Rotwang tells it:
“I want you to visit those in the depths, in order to destroy the work of the woman in whose image you were created!”
Robot-maria responds:

One eye closed with devilish grin. You probably know the importance of the single eye from previous articles and the ridiculous amount of pop artists who flash it.
The Maria android is then sent to Yoshiwara, a man’s club, where she performs erotic dances. In one of her acts, she is portrayed as Babylon, the Great Harlot from the Apocalypse.

Playing the role of the Great Harlot Babylon of the Book of Revelation. “And the woman was arrayed in purple and scarlet colour, having a golden cup in her hand”. She is held up by the seven deadly sins.
Do this scene remind you of a classic music video?

Madonna – Material Girl. How many realized that she was playing the role of Babylon here?
The programmed Maria performs mesmerizing dances in front of an avid public, causing men to fight, to lust, to be jealous and to commit the rest of the deadly sins. When she’s with her fellow workers,  Maria acts as an “agent-provocateur”, inciting the working men to riot and giving Joh Fredersen reason to use force against them. She is basically acting against the best interest of the public and for the interest of the elite.
With the help of their foreman (because they can’t really think for themselves), the workers ultimately realize that they have been mislead by the android. Believing that she’s a witch, they find robot-Maria and burn her at the stake.
A bunch of things happen after that, but I won’t spoil the ending for you (though can you really be mad at someone for spoiling the ending of a 83-year old movie?). The movie finishes with this caption:

This “moral of the story” is basically a message to the elite, a tip to keep the masses in check: in order to keep the oppressed content, you must capture their heart. That is what the media accomplish.
Which is kind of reminiscent of this music video ending:

Madonna’s Express Yourself video heavily borrowed its imagery from Metropolis. In turn, Christina Aguilera’s Not Myself Tonight, heavily borrowed from Express Yourself.

The Moral of the Story

The moral of the story of Metropolis is not “let’s abolish all inequities and rebuild a world where everyone is equal” and it is certainly not “let’s be democratic and vote for who we want as a ruler.” It is more “let’s send the workers back to the depths where they belong, but with the addition of a mediator, who will be the link between the workers and the thinkers”. So, when all is said and done, the movie is intrinsically “elitist,” as it still calls for the existence of an elite group of people holding most of the resources and managing a working class. In the end, the workers – and Freder – were duped, believing that their conditions would change. In fact, the status-quo remained and Joh even got his naive son to give the elite a friendly image while reporting everything happening in the depths, resulting in tighter surveillance and control.
Who is the Freder of today’s working class? The media. Media is the mediator. That is its function.

Fredersen, the link between “the hand and the head”, the Workers and the Thinkers. This role is played today by the media.
Mass media manipulate the masses’ thoughts and feelings on a daily basis, tricking them into loving their oppression. Popular culture is the entertainment branch of mass media and pop music is the fun way to communicate the elite’s message to the youth. References to Metropolis in pop music are almost winks to those in the know, the initiates, as if to say “this star is working for us”. So go ahead and be an ignorant, degenerate and materialistic person, like in the videos … that’s what they want you to be.

2003 VMA Perfomance

Taking place on a Masonic checkerboard-patterned floor, this symbolic performance is the ritualistic initiation of Britney Spears and Christina Aguilera into the occult music business. The ceremony starts with Britney and Christina making their way down a pyramid-shaped cake singing Madonna’s Like a Virgin. The song choice is very significant as it describes the young singers’ purity and innocence before the ceremony. This is also reinforced by their white gowns. Then the Priestess comes out, wearing a black tuxedo and a Masonic top hat.

She sings Hollywood, a song about the city symbolizing the entertainment establishment, the gateway to super-stardom. Madonna is a representative of the occult industry and welcomes Britney and Christina into it. She sings:
Everybody comes to Hollywood
They wanna make it in the neighborhood
They like the smell of it in Hollywood
How could it hurt you when it looks so good?
Shine your light now
This time it’s got to be good
You get it right now
Cause you’re in Hollywood

The entire performance puts into light Madonna’s domination and superiority over the singers. She ultimately passes on the torch to the two singers with a symbolic kiss.

They should maybe bear in mind this verse from the song Hollywood:
I lost my memory in Hollywood
I’ve had a million visions bad and good
There’s something in the air in Hollywood
I tried to leave it but I never could

Following in the footsteps of Madonna, Christina and Britney then appeared to dabble with Kabbalah, though only a “Hollywood” brand of Kabbalah, as tattoos are not permitted in its sacred scriptures.

Left is Britney’s tattoo of the Hebrew letters Mem-Hey-Shin, one of the 72 names of God. This one represents “healing”. Right is Christina’s tattoo of the Hebrew characters Yud and Bet, apparently dedicated to her husband Jordan Bratman.
In the years that followed, Christina took the apparently obligatory “sexualization” path of Illuminati idols and also appeared in works associated with black magic and mind control.

UPDATE: Some threads are running already:  Entertaining as hell.

Este en particular esta de madre...

By the way, hay una especie de culto en la cientologia y la kabbalah de estas super estrellas de Hollywood.  De Madonna, como ya se le acabo el gas a la cabala ahora rumora (prueba aguas) con el opus dei...

Una introduccion a la pseudocabala que practican en Hollywood aqui:

Y mas para abonarle a su fama de leecher:

UPDATE: Feb 10, 2012 Vigilant Citizen did indeed comment on the event but not as in much detail as I expected.  I guess it was because it was so obvious:
Unrelated Photo
Esta imagen solo presentaba un balance hidraulico de un sistema de tratamiento al que le hacia los computos a mano la semana pasada.

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